In the vast world of football, where the roar of the crowd often drowns out the voices of the unheard, MEO’s campaign, “Forgotten Team,” emerged as a poignant tribute to the workers who sacrificed their lives for the grandeur of the World Cup. From the heart of Portugal, a nation deeply connected to the issue of immigrant and overseas worker rights, this campaign took an unexpected turn when football authorities banned its symbolic jersey during a crucial match.

#ForgottenTeam #StandForJustice

MEO, a longstanding sponsor of the national team and Portugal’s leading broadcaster, found itself at the center of controversy when its campaign sought to shed light on the human rights abuses surrounding the construction of the World Cup infrastructure. The Forbidden Team’s jersey, inspired by the workers’ vests and adorned with Article 4 of the Human Rights Act, became a rallying point for bravery and virtue in the face of censorship.

In response to the ban, Dentsu Creative partnered with Amnesty International to breathe new life into the campaign, turning it into a powerful movement against human rights abuses. The Forbidden Team’s jersey, in electric yellow with reflective bands and the symbolic number 4 on the back, now featured a QR code, inviting fans to contribute to the cause and support the victims’ families.

The jerseys became a symbol of solidarity and resistance, distributed strategically at football stadiums to stand out amidst the celebratory sea of colors. Despite the ban, the Forbidden Team’s jersey found its way into the hands of store employees, migrant ambassadors, and even infiltrated FIFA hacks, symbolizing a nation’s refusal to be silenced.

The impact on the Portuguese people was profound, as the abuses in Qatar struck a chord with a nation intimately connected to the struggles of immigrants and overseas workers. The campaign’s reach was staggering, touching 98% of Portugal and garnering over 1.5 million in earned media. Remarkably, it achieved a 78% approval rating, surpassing evaluations of heavyweight sponsors from sports, alcohol, and fast food industries.

Beyond the immediate success, the Forgotten Team’s legacy endures. The jerseys are now being sent to future World Cup hosts, serving as a poignant reminder that workers’ rights should never be forgotten. The campaign demonstrated that a brand can stand for something more than profits, proving that people will rally behind those who take a stand for what they believe in.

In the end, MEO’s Forgotten Team became a beacon of courage, turning adversity into an opportunity to champion human rights, leaving an indelible mark on the intersection of sports, activism, and social change.

Credits
Client: Amnesty International
Advertising Agency: Dentsu Creative

This campaigns is about:
Forgotten Team, Tribute, Campaign Against Human Rights Abuse, Dentsu Creative, Amnesty International, Article 4 of Human Rights Act, QR Code, Qatar, World Cup Campaign, Social Activism, Sports, Worker Rights, FIFA, Social Change.

Manny and Patricia Oliver, whose 17-year old son, Joaquin, was killed in the 2018 mass shooting at Marjory Stoneman Douglas High School in Parkland, Florida, today filed a first-of-its-kind human rights lawsuit against the U.S. government. The unprecedented action seeks a ruling that U.S. gun policy violates human rights law, and deprived the Olivers’ son of his right to life.

Joaquin Oliver v. USA was filed in the Inter-American Commission on Human Rights, an independent legal body of the Organization of American States. The Olivers are represented by longtime gun violence prevention lawyer Jonathan Lowy, president of Global Action on Gun Violence (GAGV), and Arturo Carrillo, director of the George Washington University Law School’s Civil and Human Rights Clinic.

Father of Joaquin, Manny Oliver, says, “We’ve tried everything else to rein in gun violence, but there hasn’t been meaningful change. Joaquin had a right to live, which means that Joaquin had a right to fall in love, to have his heart broken, and to find his life partner – or not. All this was taken from him as a result of the United States allowing a deeply troubled 19-year-old to buy a military-style assault rifle, with which he could easily commit a massacre.”

According to the Olivers’ co-counsel, GAGV President Jonathan Lowy, “We are filing this lawsuit to force the United States to meet its obligations under human rights law, protect people’s right to live, and stop prioritizing gun industry profits over human rights. The U.S. is causing a global crisis that will not be resolved until the government recognizes its obligations to take common-sense actions that protect people from gun violence.”

The lawsuit argues that Inter-American human rights law requires the United States to prevent gun manufacturers, distributors, and dealers from recklessly making and selling guns in ways that cause deaths and injuries. The U.S., like other nations, is obligated to protect the exercise of human rights; a State cannot simply tolerate its people to be repeatedly deprived of their lives. The suit explains that U.S. gun policies and the Supreme Court’s Second Amendment decisions are inconsistent with the human right to live that the U.S. is required to respect, and enable the gun industry to profit from crime throughout the region.

Joaquin Oliver v. United States, The Lawsuit for Survival, launches Global Action on Gun Violence’s global Campaign for Survival. This includes a call-to-action petition for signers to make their voices heard to the Inter-American Commission on Human Rights and to the U.S. Award-winning independent advertising agency Zulu Alpha Kilo New York has created film, print and social media elements supporting the campaign. Watch the video

At noon on November 9th, Manny Oliver, Jonathan Lowy, Arturo Carrillo, and noted trial attorney Mike Haggard will hold a discussion about The Lawsuit for Survival and the Campaign for Survival. The event is open to the media (no cameras allowed). The discussion will also be streamed live and recorded. For more details, contact Stephanie Lowet.

About Manny and Patricia Oliver
Manny and Patricia Oliver are the parents of Joaquin Oliver, a teen killed five years ago in a mass shooting that claimed 17 lives at Marjory Stoneman Douglas High School in Parkland, Florida. In honor of their son, the Olivers have dedicated their lives to eradicating gun violence. This includes creating ChangetheRef.org to empower the next generation to impact change for their future. Manny also serves as Global Outreach and Artistic Advisory to GAGV.

About Global Action on Gun Violence
Global Action on Gun Violence is a non-profit organization dedicated to ending gun violence in the U.S. and throughout the world, using litigation, human rights actions, advocacy and messaging. GAGV represents the Government of Mexico in anti-gun trafficking litigation, is foreign legal counsel in a Canadian gun lawsuit, and works with the United Nations, the Organization of American States, and other international bodies to address gun violence. GAGV Founder and President Jonathan Lowy has litigated the Second Amendment and other gun cases for more than 25 years.

Credits
Campaign: The Lawsuit for Survival
Agency: Zulu Alpha Kilo
Client: Global Action on Gun Violence
Production Company: Chelsea Pictures
Partners: Final Cut, Barking Owl, Rare Medium

Amnesty International has joined forces with Anorak/NoA to create a powerful global campaign that emphasizes the crucial need to safeguard the right to abortion in the United States. By creatively altering one of the nation’s most cherished phrases, the campaign aims to shed a critical spotlight on the current state of women’s reproductive rights in the country.

In a campaign launched on June 24th, Amnesty International boldly declares that the United States is no longer the unequivocal “Land of the Unfree.” The campaign features a rendition of the iconic “Star-Spangled Banner” with modified lyrics that highlight the denial of women and girls’ right to make decisions about their own futures due to stringent abortion laws.

Through this campaign, Amnesty International challenges one of the core beliefs that Americans hold dear about their nation: the idea that they are truly the “Land of the Unfree.”

The campaign’s video showcases the stories of four women and girls who face the consequences of restrictive abortion laws. Accompanied by the powerful voice of acclaimed Norwegian artist Emilie Nicolas, the song intentionally falls silent at the point where it hurts the most, replacing the word “free” with a deafening silence that speaks volumes.

Peter Power, a member of Anorak’s creative team, explains, “The concept behind the film arose from the realization that there is a glaring contradiction: the United States, a nation that champions freedom more vocally than any other in the world, is now infringing upon women’s freedom to make decisions about their own lives. We hope this campaign will empower Amnesty to exert pressure on those in power and prompt all Americans to reflect on whether they can still truly identify as ‘Land of the Unfree.'”

The campaign will be showcased on digital and social media platforms in over ten countries, spanning multiple continents, and has been translated into six languages, including Chinese.

Furthermore, the video includes a petition aimed at safeguarding the right to safe abortion in the United States, targeting individual state governments that either seek to expand or restrict access to abortion. By directly contacting state governors, Amnesty aims to influence those who hold the key to securing the right to safe and legal abortion.

Camilla Kolverud, Fundraising and Marketing Manager at Amnesty, emphasizes the urgency of international pressure, stating, “The unthinkable has happened, and there is a pressing need to generate international pressure, especially on the 22 states that have already passed laws either fully or partially prohibiting abortion. I hope people will actively participate and sign our campaign on amnesty.no.”

Amnesty wasted no time in sharing the campaign video on TikTok, where it has already garnered significant engagement, with over 12,000 comments and more than 1,000 reaction videos from individuals worldwide. While some express their sentiments through captions such as “We are not free” and “It feels like a movie, it can’t be real,” others are offering American women housing should they ever need to travel abroad for a safe abortion.

Credits
Client: Amnesty International
Campaign: Land of the Unfree
Agency: Anorak NoA
Director: Nicolina Knapp/B-Reel Films

Music agency: Ohlogy (music agency & executive producer)
Emilie Nicolas (artist) 
Little Big Sister (management Emilie Nicolas)
Nils Martin Larsen (music producer)

Tags:
Petition, Women’s reproductive rights, US, Abortion rights, Digital Campaign, Awareness campaign

Awards:
Webby Winner – Advertising, Media & PR, Social Video 2023
The One Club: Bronze Pencil

 

 
Credits
Art Director/Copywriter: Allie Phelan / Maura Munaf
Tags: Human Rights, Awareness poster, Print Campaign, Social Cause, Public Interest

Keep The Box Empty campaign by Human Rights Foundation & Lantos Foundation. Urges Olympic Committee: Don’t Invite Dictators to the Opening Ceremonies

The Human Rights Foundation (HRF) and the Lantos Foundation for Human Rights & Justice have identified 15 countries, based on several criteria, whose dictators deserve an “Empty Box” during the Opening Ceremonies of the #Tokyo Games: They are asking the International Olympic Committee (IOC) to take action now and refuse to invite dictators to take part in the olympic games tokyo 2020’ Opening Ceremonies and Keep The Box Empty. Instead, they urge the IOC to leave their designated seating box or virtual room as an “Empty Box” as a signal to the world that these rulers do not embody the spirit of the #Olympics.

Would you please join us in urging the IOC to avoid conferring legitimacy on the authoritarian rulers of these countries by allowing them to share an equal platform with legitimate world leaders? Show the world that the Olympics truly are a platform for unity and social responsibility. Visit emptyboxseat.org to learn more about this campaign. Sign the petition at #KeepTheBoxEmpty

15 Notorious Dictators

These dictators and despots rule their countries without regard for democratic norms or human rights. Between them, they are responsible for the worst crimes against humanity happening today. This list was arrived at based on a combination of the Human Rights Foundation’s political regime classifications, a determination of countries with the highest number of Olympic athletes, and other troubling indicators, including lack of political rights and press freedoms.

Credits
Organisation: Human Rights Foundation & Lantos Foundation
Advertisement Type: Digital campaign
Campaign: Keep The Box Empty
Category: Public Interest

Since 2016, when the peace agreement between the national government and the FARC was signed, more than 900 human rights and environment defenders have been assassinated, turning Colombia into the most dangerous country in the world for activists. On the other hand, Colombian politicians have been spotted napping during critical sessions that could have saved many social leaders lives.

Amnesty International, together with VMLY&R Colombia, has launched a campaign inviting people to wake those politicians up by tweeting directly to their accounts and demanding protection of the defenders of these communities.

Credits
Client: Amnesty International
Campaign: Tweet A Politician
Advertising Agency: VMLY&R Colombia, Bogotá, Colombia
Ceo: Catalina Sánchez
Cco: Santiago Cuesta
Creative Director/Art: Alejandro Rojas
Creative Director/copywriter: Carlos Espinosa
Client: Daniela Camacho
Account Manager: Julián Muñoz

This campaign is about:
Creative Print Ads, Print Advertising, Best Political campaign, Advertising campaign, non-governmental organization, NGO, Public Interest

Shepard Fairey –
“What I wanted to do on my last trip to Milwaukee is remind people how important it is to assert their right to vote. The inspiration behind the art of this “Voting Rights are Human Rights” mural is the image of an anonymous marcher from a civil rights march, originally photographed by Steve Schapiro. I felt that this subject is emblematic of the ongoing fight.

It was important to me that I wasn’t the only voice in this piece. I feel very lucky that artists Tyanna Buie, Niki Johnson, Tom Jones, Claudio Martinez, and Dyani Whitehawk, were open to being included in the mural to demonstrate the need for voting rights and racial and social justice! I hope that people will look at this mural and be reminded that their voice matters in shaping the future.

Special thanks to my mural crew for all the hard work, Hanson Dodge for this awesome video, and to Wallpapered City, Black Box Fund, the Milwaukee Bucks for the support on this project!”

Credits
Advertising Agency: Hanson Dodge, Milwaukee, USA
Executive Creative Director: Chris Buhrman
Creative Director: Joe Ciccarelli
Videographer: Brad Rochford
Art Director: Jillian Turbessi
Producer: Michael Joyce
Artist: Shepard Fairey
Obey Giant Team: Dan Flores, Nicholas Bowers, Rob Zagula, Luka Densmore, Jon Furlong, Victoria Yarnish
Contributing Local Artists: Tyanna Buie, Niki Johnson, Tom Jones, Claudio Martinez Dyani

This campaign is about:
Outdoor, OOH, Billboard, Print, United States, Public Interest, Shepard Fairey, Obey Giant, Hanson Dodge, United States Presidential election, US Election 2020, Street Art, Wallpapered City, Marketing and Advertising

#HeyUpdateMyVoice website

The movement

“In order to contribute to better education of current and future generations, the movement “Hey, Update My Voice” was created.
A non-branded movement for every brand: women’s rights institutions and company using virtual assistants.

Our goal is to ask the leading Silicon Valley companies to update the responses of their virtual assistants. So that they are no longer subservient and passive, and that they have an active voice and give serious and educational responses when they suffer any kind of harassment.”

Tags:
Sexual Harassment, UNESCO, Gender Bias, Als, Hey Update My Voice, Siri, Alexa, AI assistant, Verbal Harassment, Technology, Innovation, Virtual Assistants, Women Empowerment, Women Rights, Gender Equality, AI, Human Rights, Google Assistant, Bixby, Cortana, Xiao, Lu, Nat, Bia, Vivi, Artificial Intelligence, I’d Blush If I Could, sexual abuse

Watch Trailor

Stream Movie

The idea for the film originated in late 2003 when Corra read the news that the Massachusetts State Supreme Court mandated that same-sex marriage licenses would be issued as of May 17, 2004. “It was a big constitutional moment and a heated political battle had erupted. All eyes were on Massachusetts. I knew that the next six months would be fraught with political and personal drama,” explains the Director. “Events were unfolding so fast when we approached Robert Greenblatt, then head of Showtime. He green-lit the project immediately, and we hit the road for the Boston Statehouse. The rest is history.”

Corra says he wanted to make an intimate film that took the viewer up close and personal against the looming political backdrop of the struggle. “By the end of the story,” Corra adds, “you are so involved with the couples and their families and this explosion of weddings that you just fall in love with these people who love each other and just want to be married and have families. It’s an ecstatic moment for all.”

Audrey Roth, a former attorney and one of the film’s main subjects, was filmed with her then-partner Robin and their daughter Phoebe and understands the relevancy of their story today. “We find ourselves once again at a pivotal moment in civil rights in the United States, wondering whether or not our rights will be overturned,” she points out. “Our daughter is 19 now, and she is in the streets marching with her friends.”

For Audrey, collaborating with Director Henry Corra on this film was a “once-in-a-lifetime” opportunity. “Henry came into our home and filmed us, but it was just like talking to a friend,” she recalls. “He was so easy with his questions and what he was filming, that we didn’t even notice the camera was there most of the time.”

In addition to celebrating the re-release of Same Sex America this summer, filmmaker Henry Corra – best known for his unique brand of nonfiction “Living Cinema” – is currently working on yet another compelling new documentary project, “Unlocked,” which is somewhat of a follow-up to his HBO film George, made with and about his own autistic son. With “Unlocked,” Corra attempts to reach the supposedly unreachable, a group of severe autistics who are learning to speak their first words and connecting to the world in a way no one around them thought possible. “Unlocked” is a film about the journey of walking out of a prison into the bright sunlight.

Watch the “Unlocked” trailer

“Unlocked” is mid-way through production with plans for a 2020 release. Corra and his production company Corra Films, based in New York, have also recently collaborated with long-term client Mercedes on an MBUSA campaign (“Greatness Lives Here”), and are now working on a Street Smarts PSA campaign with METRO and the DC Department of Transportation.

About Henry Corra:
Henry Corra is an Emmy-nominated American Documentary Filmmaker best known for pioneering what he calls “Living Cinema.” Corra’s films have been exhibited worldwide in theatrical venues and broadcast and streaming outlets such as HBO, Showtime, LOGO, CBS, PBS, vH1, Arte, Channel 4, Netflix, iTunes, Hulu, Sundance and Fandor. His work has also been exhibited in the museum and cultural venues internationally including MoMA, the Louvre, the National Gallery of Art, the Pacific Film Archive and the Smithsonian Institute, and is on permanent collection at the Academy of Motion Picture Arts and Sciences. A Sundance and Tribeca Institute Fellow, he has also done episodic TV projects for broadcasters including MTV, VH1, Bravo, and the Sundance Channel. In addition to his film work, Corra has been singled out as one of the foremost Directors of Nonfiction Commercials and Advocacy Advertising in America with groundbreaking campaigns for clients including the American Cancer Society, NYC Health, Mercedes Benz USA, Jet Blue, Starbucks and Google.

Corra’s work is characterized by a deep and intense relationship with his subjects, his painterly eye, and his novelist sensibility. His first feature, the award-winning “Umbrellas” (PBS/Arte, 1995), shows the deep passions of the artists Christo and Jeanne-Claude on a world stage and the inherently dramatic and at times painful consequences of their work. With “George” (HBO, 2000), made with and about his autistic son, Corra created a unique cinematic language that dramatized their relationship and confronted preconceived notions of autism. “Same Sex America” (Showtime, 2005), captures a watershed moment in civil rights history through the eyes of seven gay couples trying to marry. “NY77: The Coolest Year in Hell” (VH1, 2007) was Emmy-nominated for “Outstanding Arts & Cultural Programming.” “Jack” (2009) is a road movie that’s a loving and poetic portrait of a full-blown alcoholic that challenges conventional ideas about addiction. “The Disappearance of McKinley Nolan” (short-listed for the Independent Spirit Award, 2010) follows the Nolan family from the cotton belt of Texas, to the battlegrounds of Vietnam, to the killing fields of Cambodia and unfolds as a mysterious fever dream. Corra’s latest genre-breaking work, “Farewell to Hollywood” (theatrical release, 2015), is a nonfiction fairytale about love, death, art, holding on and letting go.

About Corra Films:
The company was founded in 1994 by Filmmaker Henry Corra, a protégé of documentary pioneers the Maysles Brothers. Corra‘s work has inspired a generation of Nonfiction Filmmakers. Under his direction, they are a passionate ensemble of New York’s most innovative talent. Their films are seen by millions around the world: in theaters, on television, streaming video, and across the web. They provoke profound engagement and dialogue. They make groundbreaking and award-winning nonfiction features. They help the top global brands define themselves with real people, TV commercials and digital content. And they lead the charge on the most urgent advocacy campaigns. And, always, they help powerfully unique individuals leave lasting and timeless legacies. www.corrafilms.com

“Amnesty considers that such a law interferes with the right to freedom of expression and fights for its abolition. The law has a negative impact on the efforts of LGBT + organizations and individual activists.”-said Martin Balcar, Head of Amnesty International CR.

Credits-
Brand: Amnesty International
Advertising Agency: Havas, Prague, Czech Republic
Creative Director / Art Director: Jakub Kolarik
Creative Director / Copywriter: Petr Cech
Art Director: Pavel Slovacek
Photographer: Miro Minarovych
Producer: Barbora Safarikova
Account Manager: Martina Figurova

This Print ad is about:
Print Advertising, Czechia, Public Interest, NGO, Amnesty International, Havas, Gay Propaganda Act, Human Rights, LGBT, Print campaign

However, in a recent campaign, Coca-Cola put a 360-degree spin on the expression mentioned above. The beverage manufacturing company literally designed Coke cans with Fanta inside them. As detailed in the promotional video by David The Agency, relevant branding on the cans made the agenda obvious. The core message of the campaign was: This Coke is a Fanta, so what?

This Coke is a Fanta | Celebrate International LGBT+ Pride Day from Campaigns of the World on Vimeo.

As a result of the movement, the very expression that caused discomfort to homosexuals all over Brazil became a pride symbol. The campaign was even appreciated by the famous Brazilian LGBT singer, Pabllo Vittar. The new spin on This Coke is a Fanta was quite popular during the carnival as well.

All in all, Coca-Cola’s crusade against a widespread discriminatory expression gracefully achieved its desired goal. We feel that the community should embrace such campaigns with open arms!

This video is about:
LGBT rights, LGBT, Gay Parade, Gay festivals, gay pride, LGBT Pride, LGBT in Brazil, lesbian marriage, lesbian culture, lesbian relationships, Gay relationships, Digital campaign, LGBT advertising, Human Rights, Coke campaigns, Coke Ads, Coca Cola, Fanta, Pride Day

In recent years there has been an increased amount of threat to press freedom from leaders around the globe. Our right to have access to all sides of a news story is being undermined.

The campaign uses a combination of print, OOH and social media to dramatize a world without press freedom. The campaign has been delivered across Canada, and relayed by local IFEX teams in 65 countries around the globe.

Credits
Brand: IFEX
Campaign: Leaders on Leaders | #WorldPressFreedomDay
Advertising Agency: Juniper Park\TBWA Toronto, Canada
Chief Creative Officer: Graham Lang
Creative Directors: Andy Linardatos, Hylton Mann
Art Director: Yan Snajdr
Copywriter: Tom Mednick
Designer: Adam Damiani
Planner: Michael Kates
Managing Director: David Toto
Account Executive: Rita Ni
Senior Account Executive: Anne Legrand
Retouching House: Illusion / Bangkok

Manuel Camacho, President and Founder partner of the agency La Doblevida, regretted that in Mexico we reach what should be the party of freedom of expression “with 116 journalists killed since 2000, a degree of impunity of 99.6%, and with the label of being the second most dangerous country for the journalistic exercise, only below Syria, a State at war “.

He recalled that so far this year, there have been six murders of journalists, four of them because of their work, two are still investigating the reason of the homicide; while in 2017 there were 12 cases.

The project

In this context, Camacho said that every time a communicator is killed, the right of everyone to information is killed, so it was decided to launch the project Bulletproof Words, materialized in a bulletproof vest because it is just the information that protects us all

It is about the manufacture of a bulletproof vest with news about the executed journalists, and we will ask reporters, drivers and announcers, to take it and take a photo, with the aim that “this image will be viral and to make the public aware of what the deadly attacks against communicators mean for press freedom.”

He explained that two real bulletproof vests were made, which, at the height of the heart, will be written the names of the 116 journalists murdered in our country since 2000, as a way to honour the information professionals who lost their lives the simple fact of exercising his work “.

Nothing to celebrate

In the press conference, Manuel Camacho and Ana Cristina Ruelas, director of ARTICLE 19 Mexico and Central America, raised the following questions: How to overcome the fear of reporting? How to survive as a journalist? How to stop getting used to these deaths?, “what we seek is to make visible the violent reality faced by journalists in Mexico through a symbol, created so that journalists do not need a bulletproof vest”.

Ruelas informed that the presidential candidates will be asked to join the “Agenda on Freedom of Expression and Information 2018″ that they presented last May, as a commitment so that whoever wins in the next elections, knows in depth the problematic and have a base of action to combat and prevent the attacks against the informants”.

He recalled that the Agenda proposes a series of guidelines that the next federal administration could add to its government project, with the aim of guaranteeing the exercise of the press and free thinking.

About La Doblevida
It is a Mexican communication and content agency with more than 10 years of experience, which has collaborated with several companies, institutions and organizations in artistic, communication and audiovisual and digital content projects.

About ARTICLE 19
It is an independent Human Rights organization that works around the world to promote the right to freedom of expression. It takes its name from Article 19 of the Universal Declaration of Human Rights, which guarantees freedom of expression.

Credits:
Bulletproof Words
La Doblevida / Article 19
CEO La Doblevida – Manuel Camacho
COO La Doblevida – Miguel Angel Mendiola
Excutive Creative Director La Doblevida – Daniel García
Copywriter La Doblevida – Ángel Cabral Sena
Copywriter La Doblevida – Kabir Tobón
Aditional Creative Directors La Doblevida – Carlos Pérez / Juan Pablo Manazza
Art Director La Doblevida – Fernando Alemán
Art Director La Doblevida – Sebastián Ospina
Account Manager La Doblevida – Adriana González
Head of Production La Doblevida – Ana Paula Tiscareño
Producer La Doblevida – Diego Esparza
Producer La Doblevida – Ana Galván
Mexico and Central America’s Director Articulo 19 – Ana Cristina Ruelas
Designer äCo – Lucila Torres
Designer äCo – Max Almeida
Production Company Oriental Films – Mauricio Clavijo / Paola Ortega

Tags::
La Doblevida, Article 19, Human Rights, Government, Bulletproof words, Best Digital Campaigns, Cannes Lions 2019, Awareness campaign, Mexico, Journalism

Credits:
Advertising Agency:Air, Brussels, Belgium
Advertisers Supervisor:Philippe Hensmans
Creative Director:Marie-Laure Cliquennois, Gregory Ginterdaele
Art Director:Sébastien Stronghead Verliefde
Copywriter:Julien Scouze Riviezzo
Print Production:Maxime Douillet
Craft & Design Director:Caroline Marson
Creative Producer:Bérengère Lurquin, Anne Gruszow
Photography & Retouch:The Pickles
Account Manager:Julie De Smedt