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Sit a certain way, eat a certain way ????????‍♀️???? A lesson at being a lady everyday. ????????????‍♀️ But hey that's not who I am,???????? Being a 'certain' way is not my jam⚠️????‍♀️ ???????? ????‍♀???? ❌????‼️ Get ready for #PropahLady on 16th October???? @pumaindia

A post shared by Sara Ali Khan (@saraalikhan95) on Oct 13, 2019 at 10:27pm PDT

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I was told a lady must not step into the ring. Well, we did! Ladies, @pumaindia and I are coming up with something you’re going to love on 16 October. Stay tuned. #PropahLady

A post shared by Mary Kom (@mcmary.kom) on Oct 14, 2019 at 12:38am PDT

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Sit like a lady ,behave like a lady . Watch how I did all of these things 😉 see me as the #propahlady i am ! When ? 16th October. @pumaindia let's do this !

A post shared by Anjali Lama (@anjalilama_official) on Oct 13, 2019 at 9:33pm PDT

Credits
Brand: Puma
Campaign: Propah Lady
Director: Reema Sengupta
Producer: Kunal Punjabi
Agency: Digitas
Cinematographer: Vikash Nowlakha
Editor: Akshay Mehta
Music & Sound: Tejas Nair
Vocals: Nicole Madi
Design & Animation: Improper.tv – Mehr Chatterjee & Aditya Dutta

Tags:
Digital Campaign, Propah Lady, Puma Campaigns, MC Mary Kom, Dutee Chand, Sara Ali Khan, Transgender, Anjali Lama, Instagram, Stereotypes

 
Post-production company, ENVY Advertising, was brought on board early on in the process and worked in close collaboration with UNIT9 to bring the ambitious project to life. To complement the spectacular visuals and time-lapse theme, the team at ENVY Advertising crafted the grade, sound design, VFX, and motion graphics.
 
Greg White, Managing Director at ENVY Advertising, comments: “From working with Jonathan previously, we were familiar with his meticulous approach and brilliant eye for detail. We knew that every element of the project had to be carefully considered and respectful towards the final piece. The orbital move around three generations meant that casting and set design were a key consideration, and rebuild was a major part of the environment. The motion-controlled ‘orbital’ move that allows for the transitions between the periods was supervised by Martin Waller and Bill Wright, who was tasked with the scene extensions behind the TV and ensuring the details were respectful of the art direction and the unique period itself.”
 
Bill Wright, Head of Motion Graphics at ENVY Advertising, comments: “Due to the scale and complexity of the project, there were a multitude of technical challenges to be worked out. The biggest challenge for me was getting the CG set extensions (in this case, a very prominent wall behind the TV that the camera sweeps past three times) not only looking right but looking suitable for the three-time periods. We had a very small lead time on this considering what needed to be done, and we turned it around in 20 days which I’m hugely proud of and is a testament to how well the VFX, Flame, Edit, and Audio teams and producer here played together. It was certainly one of the tightest jobs, time-wise, that I’ve been involved with. But once our Nuke guys started to corral the CG and our Flame ops began the process of finessing it, you could tell it was going to look beautiful. And it does.”

About ENVY
ENVY is one of Europe’s leading independent broadcast facilities, with BAFTA and RTS award-winning creative talent. Since opening in 2006, ENVY has acquired a wealth of experience working across a wide breadth of projects including documentary, entertainment, factual entertainment, scripted and short-form – spanning across single documentaries to multi-episodic series, including some of the UK’s most beloved programs. ENVY has been recognized with multiple high-profile awards including: ‘Best Post Production Facility’ at the Broadcast Awards: 2017, 2015, 2013, 2010, 2009, 2008 and ‘Top Facility’ as voted by Producers in Televisual’s annual facilities Top 50 every year since 2010.

ENVY Advertising is a multi-award winning commercial, digital, branding and short-form specialist post house. Offering a full in-house service, it is an end-to-end post-production facility delivering across offline, grade, VFX, online and sound design. ENVY’s technical setup is second to none – expertly developed to allow flexibility, it offers streamlined and bespoke workflows to facilitate almost any requirement.

Awards include a BRIT, Black D&AD pencil for their editing & sound on the Film4 Idents, D&AD pencils for sound design on Oral B ‘Merry Beeping Christmas’ and The Sunday Times ‘The Unquiet Film Series’ has scooped D&AD pencils, a British Arrow Gold and a SHOTS award. At the British Arrows 2019, ENVY Advertising won Gold for re-record for Channel 4’s The Great British Bake Off season nine trailer.

Credits
Advertiser: The John F. Kennedy Presidential Library and Museum
Creative Agency: Digitas Boston
Copywriter: Jason Ziehm
Art Director: Michael Walsh
Producer: Amber Harris
Executive Group Director: Mark Philip
Production Company: UNIT9
Executive Producer: Adam Dolman
Director: Jonathan Pearson
DOP: Gary Shaw
Producer: Geoff Stickler
Production Designer: Chris Lightburn Jones
Edit Company: Marshall Street Editors
Editor: Toby Conway-Hughes
Post Production Company: ENVY Advertising
Grade: Danny Wood
Flame: Kieran Baxter
VFX Supervisor: Martin Waller
C4D: Bill Wright
Motion Graphics: Andrew Green
Nuke: Telmo Sousa
Sound Design: Rich Martin
Post Producer: Pete Burch
Executive Producer: Greg White

Tags:
JFK Moonshot, Digitas, UNIT9, ENVY Advertising, John F. Kennedy, Full Circle, TV Campaign, TV Ads